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Document Missing: Performance No. 6 (Daughter), 2017–2022

  • Performances

Premiere of a solo live performance at the Museum of Contemporary Art Skopje in the frame of the exhibition “Ecstatic Bodies: Archive of Performance Queer Bodies in Macedonia” as part of “Skopje Pride Weekend 2022”, curated by Slavcho Dimitrov and Biljana Tanurovska-Kjulavkovski. Photo: Sonja Stavrova.

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Yane Calovski and Hristina Ivanoska: We Are All In This Alone, 56. Venice Biennial, 2015

  • Collaborations

We Are All in This Alone by Calovski and Ivanoska exhibited at the Macedonian Pavilion, 56th Venice Biennial, is a multimedia installation that brings together architecture, fresco painting, paper constructions, and typed letters to address faith not only as an emotional and intellectual condition, but also as a contemporary socio-political anomaly

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Intimate Introspection, Künstlerhaus – Halle für Kunst & Medien, Graz, 2013

  • Installations

Intimate Introspection: Artist and/or Society (2013) is a site-specific installation made from recycled cardboard boxes collected from local businesses, using text and drawing to reflect the artist’s precarious position within a neoliberal, privatised public sphere.

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Untitled (Artist is not a civil servant), 2013

  • Textile

“Untitled (Artist is not a civil servant)”, 2013, cotton thread and graphite on woollen felt, 180 x 40 cm. Courtesy: Art Collection Telecom. Photo credit: Zak|Branicka Gallery, Berlin.

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Yane Calovski and Hristina Ivanoska: Oskar Hansen's Museum of Modern Art, 2007

  • Collaborations

Oskar Hansen’s Museum of Modern Art (2007) is a long-term research project by Yane Calovski and Hristina Ivanoska that examines multiple hypotheses surrounding the interpretation of art-historical references and critically engages with the hypothetical program of an unrealized museum proposal designed by Polish architect Oskar Hansen in 1966.

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