Blossoms, 2025/26, printed greeting card and wrapping paper for EVN AG
In Walking by the River: Begej, I continue my investigation of rivers as contested and symbolic sites—geographical thresholds through which questions of memory, identity, and spatial politics are explored. This work was a continuation of a previous project focused on the Vardar River in Skopje as a site of both personal and collective significance.
Dispossessed is a coloured pencil drawing created for a tote bag print, using the nonbinary typography Archetype Open Form, and was commissioned for the 10th anniversary of Kunsthaus Dahlem, Berlin, curated by Başak Şenova in dialogue with Dorothea Schöne, inspired by Ursula K. Le Guin’s The Carrier Bag Theory of Fiction (1986).
The textile work "Uprooted" (2015) by Ivanoska and Calovski interweaves material, philosophical, and social references to explore uprootedness, social inequality, and the urgent need for new forms of community in the contemporary socio-political context.
Vital Softness to Hard Spaces is a site-specific mural conceived for the group exhibition On Seeking. It employs my non-binary typography, Archetype Open Form, which stems from my ongoing exploration of letters and text as primary visual elements and content producers.
Giants and Snowflakes, History Museum, Museum of the Republic of North Macedonia, Skopje, 2024. In the frame of tFestival for Feminist Culture and Action “Firstborn Girl #11” and celebrating 80 years of Women’s Antifascist Front in Macedonia. Enabler: Jana Kocevska. Interlocutor and author of the text in the catalogue, Slavcho Dimitrov. Photo: Rob
As a comprehensive project, Makedonium: Dramaturgy of the Unfinished (2020-ongoing) seamlessly intertwines the roles of researcher, artist, and storyteller, shedding light on a neglected architectural legacy while probing the complex politics of authorship, cultural memory, and historic preservation.
Wall-based installation with a series of 7 drawings with graphite and ink (50x70 cm each), wall-engraving, standardised metal plates for marking bridges (40x50 cm each), and 3 photographs (30x40 cm each).
Site-specific installation with a mural made with dry pigment, and a woollen-cotton garment.
Staying with the Trouble, exclusive work in graphite and color pencils using Archetype Open Form typography and font for poster and book design, commissioned for Skopje Pride Weekend 2024, non-governmental organization Coalition Margins, curated by Slavcho Dimitrov, design and technical support: Igor Delov.
The mural is inspired by Djordje Andrejevic-Kun’s monumental memorial mosaic in Ivanjica dedicated to fallen fighters in the National Liberation Struggle "Uprising" unveiled on the Uprising Day on July 7, 1957.
Image 01: “We Are They: Cyborgs”, 2024, cut-out on paper and graphite, 21 x 29,7 cm.Image 02: “We Are They: Samovila”, 2024, paper and graphite, 21 x 29,7 cm.
Image 01: “We Are They: Cyborgs”, 2024, cut-out on paper and graphite, 21 x 29,7 cm.Image 02: “We Are They: Samovila”, 2024, paper and graphite, 21 x 29,7 cm.Image 03: “Staying with the Trouble”, 2024, ink and graphite on paper, 30 x 40 cm.
Virginia Was Not Fun At All, 2023, live performance in a public space, at the 14. Performance Reihe Neu-Oerlikon, Zürich. The performance unfolds in three parts. The audience is invited to follow a gradual movement through space: from the green area of the park to an in-between zone marked by asphalt and concrete, and then back to nature again.
Installation with video documentation of a live performance, wall-engraved text, textile work, and wooden objects, conveys the complexity and frustration arising from years of research dedicated to women’s unknown, undocumented, lost, forgotten, and marginalised histories.